Design and animation
In a deviation from several decades' worth of Disney features, Sanders and DeBlois chose to use watercolor painted backgrounds for Lilo & Stitch, as opposed to the traditionalgouache technique.[2] While watercolors had been used for the early Disney animated shorts, as well as the early Disney features Snow White and the Seven Dwarfs (1937) andDumbo (1941), the techique had been largely abandoned by the mid-1940s in favor of less complicated media such as gouache. Sanders preferred that watercolors be used forLilo to evoke both the bright look of a storybook and the art direction of Dumbo, requiring the background artists to be trained in working with the medium.[2] The character designs were based around Sanders' personal drawing style, eschewing the traditional Disney house style.[2] The film's extraterrestrial elements, such as the spaceships, were designed to resemble marine life, such as whales and crabs.[6]
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